Wednesday, November 25, 2009
Sunday, November 08, 2009
Blood and more blood
The Thumb
Peter Schneider
In a nanosecond David lost his thumb,
the one his mother painted
with pine pitch when he was four
to keep him from forever sucking it.
Unable to distinguish human flesh
the McCormick silo filler
sliced it off--
nail, bone, knuckle--
and blew it skyward
an ounce of humanity
in a thousand tons of silage.
Taken by surprise
David suppressed the truth.
Before the rush of blood
he held up the stump
saw the clean cut
grey bone marrow visible
and thrust it in his mouth
where the memory
of childhood security lay.
Then he swore,
tears rushing to his eyes, and ran
holding the stump with his good hand
blood oozing between his fingers.
Joe, a huge bulk of a man
and a constant neighbor,
jumped from his wagon
caught David like a child
held him to his chest
not intimidated by blood
or the tears of a grown man.
"The Thumb" by Peter Schneider, from Line Fence. (c) Amherst Writers & Artists Press, 2006. Reposted from The Writers Almanac.
***
Peter Schneider
In a nanosecond David lost his thumb,
the one his mother painted
with pine pitch when he was four
to keep him from forever sucking it.
Unable to distinguish human flesh
the McCormick silo filler
sliced it off--
nail, bone, knuckle--
and blew it skyward
an ounce of humanity
in a thousand tons of silage.
Taken by surprise
David suppressed the truth.
Before the rush of blood
he held up the stump
saw the clean cut
grey bone marrow visible
and thrust it in his mouth
where the memory
of childhood security lay.
Then he swore,
tears rushing to his eyes, and ran
holding the stump with his good hand
blood oozing between his fingers.
Joe, a huge bulk of a man
and a constant neighbor,
jumped from his wagon
caught David like a child
held him to his chest
not intimidated by blood
or the tears of a grown man.
"The Thumb" by Peter Schneider, from Line Fence. (c) Amherst Writers & Artists Press, 2006. Reposted from The Writers Almanac.
***
Sunday, November 01, 2009
Because November is the weird boy of months.
How Many Nights
Galway Kinnell
How many nights
have I lain in terror,
O Creator Spirit, maker of night and day,
only to walk out
the next morning over the frozen world,
hearing under the creaking snow
faint, peaceful breaths...
snake,
bear, earthworm, ant...
and above me
a wild crow crying 'yaw, yaw, yaw'
from a branch nothing cried from ever in my life.
***
Driving Nails
Gary L. Lark
I learned to walk stud walls
setting rafters when I was six.
I straightened nails for my father
to re-drive, piecing a home together
after work or on weekends.
We were called Okies by some
when we moved to the valley,
putting up our tar-papered shack.
Two years later a house was rising
to face them across the pasture.
The only plans were sketched
on a six inch pad, but all the corners
were true. The septic tank hole
was dug with pick and shovel.
Lumber carted home from the mill.
The only time help came
was when we poured the foundation.
Guys from the mill rode springing planks
to deliver tons of wet concrete by wheelbarrow,
tamped down with shovel handles.
My father beveled the molding,
drilled and set each piece of hardwood flooring,
not a nail would show. I crawled insulation
into tight places above the ceiling
and helped with rolled roofing.
Nobody mentioned our low rank
when my mother joined the garden club.
"How Many Nights" by Galway Kinnell, from Three Books. (c) Houghton Mifflin, 2002.
"Driving Nails" by Gary Lark, from Getting By. (c) Logan House, 2009.
Both reposted from The Writer's Almanac, without permission.
Galway Kinnell
How many nights
have I lain in terror,
O Creator Spirit, maker of night and day,
only to walk out
the next morning over the frozen world,
hearing under the creaking snow
faint, peaceful breaths...
snake,
bear, earthworm, ant...
and above me
a wild crow crying 'yaw, yaw, yaw'
from a branch nothing cried from ever in my life.
***
Driving Nails
Gary L. Lark
I learned to walk stud walls
setting rafters when I was six.
I straightened nails for my father
to re-drive, piecing a home together
after work or on weekends.
We were called Okies by some
when we moved to the valley,
putting up our tar-papered shack.
Two years later a house was rising
to face them across the pasture.
The only plans were sketched
on a six inch pad, but all the corners
were true. The septic tank hole
was dug with pick and shovel.
Lumber carted home from the mill.
The only time help came
was when we poured the foundation.
Guys from the mill rode springing planks
to deliver tons of wet concrete by wheelbarrow,
tamped down with shovel handles.
My father beveled the molding,
drilled and set each piece of hardwood flooring,
not a nail would show. I crawled insulation
into tight places above the ceiling
and helped with rolled roofing.
Nobody mentioned our low rank
when my mother joined the garden club.
"How Many Nights" by Galway Kinnell, from Three Books. (c) Houghton Mifflin, 2002.
"Driving Nails" by Gary Lark, from Getting By. (c) Logan House, 2009.
Both reposted from The Writer's Almanac, without permission.
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